Wednesday, July 22, 2009

I guess I better write it down. Preferably somewhere I won't lose it.

The fictional book has a dystopia. There's no convincing the reader it's a dystopia. There's no carefully pointing out how certain actions much like what commonly occur in our own world are a big part of how it's a dystopia. There's no trying to convince the reader of what's right and wrong. There's certainly no grand scheme for fixing the whole world. There's just hero/s whom are finding ways to cope with the situation. Not exactly just merely surviving. But finding/applying positive coping mechanisms.

Along the way various insights may be included but never ever in a manner that they get in the way of the story at all.

It may be that to a large extent what could have been learned will simply fly over the readers head. Oh well. There is fiction and there's nonfiction.

...I think of Devo. And how their message, which wasn't really that hidden, (but was partially hidden as it would have pissed a ton of people off) was missed by almost everyone it seemed. Devolution. We're evolving into a stupider race. Our idea of a good time is getting drunk and laid. Being really (noncompartmentalizedly) smart is like having a disease.

They weren't hiding it much.

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Mongoloid he was a mongoloid
Happier than you and me
Mongoloid he was a mongoloid
And it determined what he could see
Mongoloid he was a mongoloid
One chromosome too many
Mongoloid he was a mongoloid
And it determined what he could see
And he wore a hat
And he had a job
And he brought home the bacon
So that no one knew
Mongoloid he was a mongoloid
His friends were unaware
Mongoloid he was a mongoloid
Nobody even cared


A guy has Down's Syndrome but no one even notices because everyone else is at about the same level. Endless such songs parodying everything in our culture that disgusted them and, for all their preachiness they might as well have been mumbling grocery lists.

So it flies over everyone's head. Oh well.

Vancian coping was stoicism. That's why it appealed to me so much.
Salvatore appealed to me in that the dystopia/versus the compassion of the hero resounded with my own life. His coping was also.. stoicism.

Another coping is turning things into the absurd. Another is focusing on the welfare of others instead of the self. (Thank god for children?) What else? Religion/mysticism/art..., love, well... then maybe endless others. Could say everything is a coping mechanism. But focusing on the coping mechanisms of 'the hero'.

The books that gave a euphoric feeling had the hero's with coping mechanisms that were new to me.

There is also Ayn Rand's heros. Her coping mechanism was thinking you're superior to others and that The Game is all there is. Endless competing against all other people. The individual against all others. That is Life. That is The Way. Love it. Become it.

Such is the coping mechanism of a monster.

There is also Milan Kundera's coping mechanism. His was showing that yes, he agrees, life is horrible. Look at this. See? I understand. I agree. But I'll go further. I'll show you that it's even worse then you thought. In fact it's so bad that what you must do is give up. And turn to relatively small bits of happiness. Like a nice hot piece of ass. A beautiful sunset. That's all one can hope for.

Kundera is probably right but a real hero would not agree.